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April showers bring May flowers… and one last Anything Goes 🌧️🌸

May 1st at The Rockwell. Final sendoff before the doors close for good. IISCO b2b SYRE, No Eye b2b Janko, Seb Express bringing the heat all night.

Don’t miss the last bloom. FREE RSVP link in bio

April showers bring May flowers… and one last Anything Goes 🌧️🌸

May 1st at The Rockwell. Final sendoff before the doors close for good. IISCO b2b SYRE, No Eye b2b Janko, Seb Express bringing the heat all night.

Don’t miss the last bloom. FREE RSVP link in bio

Some DJs chase one sound. j:drive would rather break it.

Jess L’Altrelli builds sets that don’t sit still. Electro, classic house, disco, breakbeat all in rotation, sometimes all in the same set if the moment calls for it. She’s not interested in playing it safe. She’s interested in keeping people guessing, then making it all feel seamless anyway.

That instinct comes from years of digging. Before she ever committed to DJing, she was already deep in it. Playlists, moods, chasing a very specific feeling through sound. Once she finally picked up a controller in 2022, it clicked fast. Mix after mix, each one tied to a different vibe, a different headspace, even imaginary venues. It wasn’t just practice. It was exploration.

Her influences reflect that same curiosity. Beltran, INVT, Frost Children, plus her own circle in House of JANE like Cobrastrk and AstroNat, artists who are constantly shifting and evolving. That energy shows up in her sets. Nothing feels locked in. Nothing feels predictable.

And she likes it that way.

You’ll rarely hear the same track twice. She leans into surprises. A left turn into a different genre. A moment you didn’t see coming but suddenly feels obvious once it hits. It keeps the room engaged. Keeps things human.

A lot of that comes from being in the scene itself. Open decks, local shows, meeting people, building connections the long way. No shortcuts. Just showing up and staying consistent.

Outside the booth, she keeps that same energy. Rollerskating, both in the street and at the rink, taking care of her growing collection of plants, getting into mystery and thriller books. Always picking up something new.

Catch j:drive at Honeyluv on May 2 and expect a set that moves in all directions but somehow lands exactly where it should.

Some DJs chase one sound. j:drive would rather break it.

Jess L’Altrelli builds sets that don’t sit still. Electro, classic house, disco, breakbeat all in rotation, sometimes all in the same set if the moment calls for it. She’s not interested in playing it safe. She’s interested in keeping people guessing, then making it all feel seamless anyway.

That instinct comes from years of digging. Before she ever committed to DJing, she was already deep in it. Playlists, moods, chasing a very specific feeling through sound. Once she finally picked up a controller in 2022, it clicked fast. Mix after mix, each one tied to a different vibe, a different headspace, even imaginary venues. It wasn’t just practice. It was exploration.

Her influences reflect that same curiosity. Beltran, INVT, Frost Children, plus her own circle in House of JANE like Cobrastrk and AstroNat, artists who are constantly shifting and evolving. That energy shows up in her sets. Nothing feels locked in. Nothing feels predictable.

And she likes it that way.

You’ll rarely hear the same track twice. She leans into surprises. A left turn into a different genre. A moment you didn’t see coming but suddenly feels obvious once it hits. It keeps the room engaged. Keeps things human.

A lot of that comes from being in the scene itself. Open decks, local shows, meeting people, building connections the long way. No shortcuts. Just showing up and staying consistent.

Outside the booth, she keeps that same energy. Rollerskating, both in the street and at the rink, taking care of her growing collection of plants, getting into mystery and thriller books. Always picking up something new.

Catch j:drive at Honeyluv on May 2 and expect a set that moves in all directions but somehow lands exactly where it should.

days like this don’t stay still… they turn into something louder 🌞

Groove Garden returns on May 2 with @honeyluv

Tickets at link in bio

days like this don’t stay still… they turn into something louder 🌞

Groove Garden returns on May 2 with @honeyluv

Tickets at link in bio

We fueling up ⛽️!!

@blossombeverages is pulling up to the function tomorrow! Espresso martinis on deck.

Final tickets for the @shipwrekdj boys available at link in bio

We fueling up ⛽️!!

@blossombeverages is pulling up to the function tomorrow! Espresso martinis on deck.

Final tickets for the @shipwrekdj boys available at link in bio

A quick primer before things get out of hand.

Ship Wrek lives in that lane between tech house bounce and full blown party energy. The kind of set where every drop feels familiar but still catches you off guard.

Tap in, get familiar, and be there when it lands. Tickets moving.

Link in bio 👀

A quick primer before things get out of hand.

Ship Wrek lives in that lane between tech house bounce and full blown party energy. The kind of set where every drop feels familiar but still catches you off guard.

Tap in, get familiar, and be there when it lands. Tickets moving.

Link in bio 👀

Caught somewhere between the drop and the moment ✨

Dance with us this Friday as we welcome @shipwrekdj to Charm City

Caught somewhere between the drop and the moment ✨

Dance with us this Friday as we welcome @shipwrekdj to Charm City

There’s a certain type of DJ who starts by digging. Not casually. Obsessively. Late nights on SoundCloud, chasing IDs nobody else has heard yet, building playlists that feel like a secret. That’s where bri. comes from.

Brianna Huertas didn’t lock into one sound early, and she still hasn’t. Raised on dubstep and bass music, she naturally drifted toward tech house and minimal, but there’s always something else in the mix. A different texture. A left turn. She’s not trying to stay in one lane, she’s trying to understand all of them.

You can trace parts of her taste back to artists like Kolter and Josh Butler, with early influences from Claude VonStroke, OMNOM, and Chris Lake shaping those instincts. Lately, she’s been leaning deeper into groove. Beltran, Ragie Ban, SOSA. Music that doesn’t rush, just pulls you in slowly until you’re fully locked.

Before she ever DJed, she was the one putting people on. Sending tracks, helping friends build sets, quietly shaping the music around her. Then something shifted. Being in the crowd stopped being passive. She started listening differently. Thinking about transitions, energy, what she would do in that exact moment if she had control.

So she tried it.

Borrowed a controller. Practiced every day. Recorded everything. Sent mixes out for feedback, ran it back, did it again. Real trial and error. No shortcuts. A lot of living room B2Bs with friends too, pushing herself to adapt across styles, match tempos, stay sharp.

Then EDC happened. That moment where the crowd is fully in it, singing, moving, completely connected to what’s being played. That clicked something into place. Like, yeah… this is it.

Now as bri., she brings that same mindset into every set. Thoughtful, groove-driven, and always evolving. You can feel the intention, but it never feels forced.

Outside of music, she keeps it balanced. Pilates, shows, festivals, time with friends, and hanging with her dog Obi. Simple things, but they matter.

Catch bri. at The Groove Garden with @honeyluv expect a set that’s built with care, curiosity, and just the right amount of unpredictability

There’s a certain type of DJ who starts by digging. Not casually. Obsessively. Late nights on SoundCloud, chasing IDs nobody else has heard yet, building playlists that feel like a secret. That’s where bri. comes from.

Brianna Huertas didn’t lock into one sound early, and she still hasn’t. Raised on dubstep and bass music, she naturally drifted toward tech house and minimal, but there’s always something else in the mix. A different texture. A left turn. She’s not trying to stay in one lane, she’s trying to understand all of them.

You can trace parts of her taste back to artists like Kolter and Josh Butler, with early influences from Claude VonStroke, OMNOM, and Chris Lake shaping those instincts. Lately, she’s been leaning deeper into groove. Beltran, Ragie Ban, SOSA. Music that doesn’t rush, just pulls you in slowly until you’re fully locked.

Before she ever DJed, she was the one putting people on. Sending tracks, helping friends build sets, quietly shaping the music around her. Then something shifted. Being in the crowd stopped being passive. She started listening differently. Thinking about transitions, energy, what she would do in that exact moment if she had control.

So she tried it.

Borrowed a controller. Practiced every day. Recorded everything. Sent mixes out for feedback, ran it back, did it again. Real trial and error. No shortcuts. A lot of living room B2Bs with friends too, pushing herself to adapt across styles, match tempos, stay sharp.

Then EDC happened. That moment where the crowd is fully in it, singing, moving, completely connected to what’s being played. That clicked something into place. Like, yeah… this is it.

Now as bri., she brings that same mindset into every set. Thoughtful, groove-driven, and always evolving. You can feel the intention, but it never feels forced.

Outside of music, she keeps it balanced. Pilates, shows, festivals, time with friends, and hanging with her dog Obi. Simple things, but they matter.

Catch bri. at The Groove Garden with @honeyluv expect a set that’s built with care, curiosity, and just the right amount of unpredictability

Late Checkout activated. You’re not making that 11AM checkout.

We’re turning the Waterfront Hotel into a full-blown lobby takeover on April 17. House, techno, bass, and everything in between echoing through every corner.

Lineup:
IISCO B2B SYRE
No Eye
Wynn

$10 at the door. Front desk can’t save you now.

Late Checkout activated. You’re not making that 11AM checkout.

We’re turning the Waterfront Hotel into a full-blown lobby takeover on April 17. House, techno, bass, and everything in between echoing through every corner.

Lineup:
IISCO B2B SYRE
No Eye
Wynn

$10 at the door. Front desk can’t save you now.

we’re back outside 🌸

Groove Garden returns with @honeyluv leading an all-female lineup alongside @itserinpage , @j._.drive , and @brianna_huertas

food + drinks by Arepi, record shopping at the Sound Garden, and a flower pop-up by @dandelionsstand to set it off

ages 18+

tickets live now 🎟️

we’re back outside 🌸

Groove Garden returns with @honeyluv leading an all-female lineup alongside @itserinpage , @j._.drive , and @brianna_huertas

food + drinks by Arepi, record shopping at the Sound Garden, and a flower pop-up by @dandelionsstand to set it off

ages 18+

tickets live now 🎟️

First Friday of the month is synonymous with Anything Goes. The maddest, baddest dance party happening in BMORE tomorrow night! We don’t care who you are, where you come from, or what you’re trying to be. We just have one rule… show up and DANCE!

FREE RSVP in bio!

First Friday of the month is synonymous with Anything Goes. The maddest, baddest dance party happening in BMORE tomorrow night! We don’t care who you are, where you come from, or what you’re trying to be. We just have one rule… show up and DANCE!

FREE RSVP in bio!

Anything Goes returns to the @rockwellbaltimore THIS FRIDAY! House, techno, bass, & everything in between. Let’s bring the storm ⛈️

FREE RSVP @ link in bio

#baltimore #rave #edm #housemusic

Anything Goes returns to the @rockwellbaltimore THIS FRIDAY! House, techno, bass, & everything in between. Let’s bring the storm ⛈️

FREE RSVP @ link in bio

#baltimore #rave #edm #housemusic

It usually starts somewhere else. For RiCDer, it was a guitar.

Eric Snyder grew up playing music the old way. Strings, amps, live shows with his mom, real volume, real feeling. That foundation stuck. But somewhere along the line, the dancefloor took over. Early high school shows, packed rooms, strangers moving like they knew each other. That shift. That pull. Hard to ignore once you feel it.

So he leaned in.

Now as RiCDer, his sound lives in the pocket between tech house, minimal and deep tech, and UK garage and bassline. Groove-driven, a little gritty, sometimes bouncy in that UK way that sneaks up on you. Influenced by names like Westend, Ranger Trucco, DJ Susan, and Silva Bumpa, but not boxed in by any one lane. He likes to move around.

What stuck with him early on wasn’t just the music. It was the way a DJ could take a room full of completely different people and somehow sync them up. Same tempo. Same energy. Same moment. That’s the part he’s chasing every time he plays. Not just sound, but connection.

And yeah, you can feel that intention in his sets. He builds them patiently. Lets things develop. Then flips it just enough to keep people on their toes.

Outside the booth, he stays in it. Producing, snowboarding, cooking, bouncing between creative outlets depending on the season. Summers usually land in OCMD, which honestly checks out. Sun, water, music in the background. Makes sense.

Catch RiCDer at Ship Wrek on April 10 and expect a set that pulls from everywhere but lands exactly where it needs to.

It usually starts somewhere else. For RiCDer, it was a guitar.

Eric Snyder grew up playing music the old way. Strings, amps, live shows with his mom, real volume, real feeling. That foundation stuck. But somewhere along the line, the dancefloor took over. Early high school shows, packed rooms, strangers moving like they knew each other. That shift. That pull. Hard to ignore once you feel it.

So he leaned in.

Now as RiCDer, his sound lives in the pocket between tech house, minimal and deep tech, and UK garage and bassline. Groove-driven, a little gritty, sometimes bouncy in that UK way that sneaks up on you. Influenced by names like Westend, Ranger Trucco, DJ Susan, and Silva Bumpa, but not boxed in by any one lane. He likes to move around.

What stuck with him early on wasn’t just the music. It was the way a DJ could take a room full of completely different people and somehow sync them up. Same tempo. Same energy. Same moment. That’s the part he’s chasing every time he plays. Not just sound, but connection.

And yeah, you can feel that intention in his sets. He builds them patiently. Lets things develop. Then flips it just enough to keep people on their toes.

Outside the booth, he stays in it. Producing, snowboarding, cooking, bouncing between creative outlets depending on the season. Summers usually land in OCMD, which honestly checks out. Sun, water, music in the background. Makes sense.

Catch RiCDer at Ship Wrek on April 10 and expect a set that pulls from everywhere but lands exactly where it needs to.

Computer… turn this record store into a rave sanctuary.

Computer… activate lasers.

Hey DJ… spin that sh*t!

The third and final record store rave. Madness. Chaos. A room full of peace, love, unity, and respect. This is what it’s all about.

Thank you @pedroztheboy for blessing Baltimore. We need that.

Party moves outside for our first Groove Garden of 2026. Show announcement on 4/2!

📸 @snakestudiox
🎥 @ethanhughesfilmphoto

Computer… turn this record store into a rave sanctuary.

Computer… activate lasers.

Hey DJ… spin that sh*t!

The third and final record store rave. Madness. Chaos. A room full of peace, love, unity, and respect. This is what it’s all about.

Thank you @pedroztheboy for blessing Baltimore. We need that.

Party moves outside for our first Groove Garden of 2026. Show announcement on 4/2!

📸 @snakestudiox
🎥 @ethanhughesfilmphoto

Scroll to the end for a surprise :)

The party moves back outside. Groove Garden is back 🌞 🌺

Scroll to the end for a surprise :)

The party moves back outside. Groove Garden is back 🌞 🌺

We pull up to the function, don’t need no introduction 🙅‍♂️🙅‍♀️

This ship is about to set sail! Two weeks until @shipwrekdj comes through to BALTIIIIMOREEEE 🚢

Act quick! Final tickets now on sale (link in bio)

We pull up to the function, don’t need no introduction 🙅‍♂️🙅‍♀️

This ship is about to set sail! Two weeks until @shipwrekdj comes through to BALTIIIIMOREEEE 🚢

Act quick! Final tickets now on sale (link in bio)

April showers ⛈️ bring May flowers 🌺

Anything Goes is back Friday, April 3rd. Thunder in the speakers, lightning on the floor, no umbrellas in sight. An insane night where DJs are playing whatever tf they want, and y’all show up in whatever way you want. This is your moment.

@iiscomusic b2b @syre.sounds
@djpwinny
@corsdj

If April brings the rain, we’re bringing the storm.

Lock in. FREE RSVP in bio.

April showers ⛈️ bring May flowers 🌺

Anything Goes is back Friday, April 3rd. Thunder in the speakers, lightning on the floor, no umbrellas in sight. An insane night where DJs are playing whatever tf they want, and y’all show up in whatever way you want. This is your moment.

@iiscomusic b2b @syre.sounds
@djpwinny
@corsdj

If April brings the rain, we’re bringing the storm.

Lock in. FREE RSVP in bio.

Artist Spotlight: @frankiepeatt

Some people treat music like background noise. Frankie Peatt doesn’t really have that option.

Frankie Arnone grew up with it everywhere. Freestyle, classic house, whatever was playing in the house that day. Then five years at School of Rock. Different instruments, different styles, all of it stacking up over time. At a certain point it stops being a hobby and starts feeling like oxygen. Take it away and things get weird fast.

DJing came a little later. Sophomore year of college. One of those “I need something new” phases. She ordered a DDJ REV1 off Amazon, plugged it in, and that was pretty much it. No slow build. No easing into it. From day one, fully locked. I don’t think she’s missed a day since.

Her sound sits somewhere between tech house, bass house, and mainstage EDM, pulling from a mix that honestly shouldn’t work on paper but does. Westend, Fred again, Skrillex, Daft Punk, Justice, Harry Styles. Even family influence in there too, which you don’t hear people say enough. It all blends into a style that leans emotional one minute and high-energy the next. Big moments, but still grounded in groove.

What drives her is simple. She likes making people dance. Not in a surface-level way, more like creating moments people actually remember. The kind where you look back and go, yeah… that night meant something. She’s chasing that every time she plays.

Outside of DJing, she’s still deep in it. Works in marketing for a record label, so even when she’s not behind the decks, she’s still surrounded by music. And when she does step away, it’s usually into the kitchen. Cooking, trying new spots, chasing good food the same way she chases good tracks. If you’ve got Baltimore recommendations, she’s probably already asking for them.

Catch Frankie Peatt at Ship Wrek and expect a set that feels as personal as it does high energy.

Artist Spotlight: @frankiepeatt

Some people treat music like background noise. Frankie Peatt doesn’t really have that option.

Frankie Arnone grew up with it everywhere. Freestyle, classic house, whatever was playing in the house that day. Then five years at School of Rock. Different instruments, different styles, all of it stacking up over time. At a certain point it stops being a hobby and starts feeling like oxygen. Take it away and things get weird fast.

DJing came a little later. Sophomore year of college. One of those “I need something new” phases. She ordered a DDJ REV1 off Amazon, plugged it in, and that was pretty much it. No slow build. No easing into it. From day one, fully locked. I don’t think she’s missed a day since.

Her sound sits somewhere between tech house, bass house, and mainstage EDM, pulling from a mix that honestly shouldn’t work on paper but does. Westend, Fred again, Skrillex, Daft Punk, Justice, Harry Styles. Even family influence in there too, which you don’t hear people say enough. It all blends into a style that leans emotional one minute and high-energy the next. Big moments, but still grounded in groove.

What drives her is simple. She likes making people dance. Not in a surface-level way, more like creating moments people actually remember. The kind where you look back and go, yeah… that night meant something. She’s chasing that every time she plays.

Outside of DJing, she’s still deep in it. Works in marketing for a record label, so even when she’s not behind the decks, she’s still surrounded by music. And when she does step away, it’s usually into the kitchen. Cooking, trying new spots, chasing good food the same way she chases good tracks. If you’ve got Baltimore recommendations, she’s probably already asking for them.

Catch Frankie Peatt at Ship Wrek and expect a set that feels as personal as it does high energy.

What you see on the dancefloor is only half the story.

From airport runs to one hour builds inside the record shop, this is what it really takes to bring a night like this to life. No shortcuts, no extra time, just a die-hard crew making it happen.

If you’ve ever wondered how these events actually come together, ask away. Happy to pull back the curtain.

#baltimore #rave #edm #housemusic #event

What you see on the dancefloor is only half the story.

From airport runs to one hour builds inside the record shop, this is what it really takes to bring a night like this to life. No shortcuts, no extra time, just a die-hard crew making it happen.

If you’ve ever wondered how these events actually come together, ask away. Happy to pull back the curtain.

#baltimore #rave #edm #housemusic #event

If Offstage could pick the @orioles starting lineup, we’d have a championship team ⚾️

Baltimore, we’re stepping up to the plate. Gotta make sure we step on HOME BASS 🥁😩

1 through 9 fully loaded. No weak spots. No bench players. Just straight heaters from first pitch to last call.

Tap in, pick your favorite in the lineup, and get ready for a long season 😈

Who’s batting cleanup? 👀

Let’s go O’s! @orioles

If Offstage could pick the @orioles starting lineup, we’d have a championship team ⚾️

Baltimore, we’re stepping up to the plate. Gotta make sure we step on HOME BASS 🥁😩

1 through 9 fully loaded. No weak spots. No bench players. Just straight heaters from first pitch to last call.

Tap in, pick your favorite in the lineup, and get ready for a long season 😈

Who’s batting cleanup? 👀

Let’s go O’s! @orioles

Tonight we’re back inside The Sound Garden in Fells Point ⚡️

Record Store Rave goes down in the stacks. This is the last one before we take it outside.

Tickets are moving quick and space is limited. Lock your spot now or risk getting left outside looking in 🎟️

Tonight we’re back inside The Sound Garden in Fells Point ⚡️

Record Store Rave goes down in the stacks. This is the last one before we take it outside.

Tickets are moving quick and space is limited. Lock your spot now or risk getting left outside looking in 🎟️

Say hello to my lil friend 😤

Record store rave tomorrow… and surprise surprise, we’re bringing Brazilian wonder-kid @pedroztheboy with us.

Final tickets to the function available now.

Say hello to my lil friend 😤

Record store rave tomorrow… and surprise surprise, we’re bringing Brazilian wonder-kid @pedroztheboy with us.

Final tickets to the function available now.

This Baltimore record shop turns into a rave for one night only. Friday 3/20.

#baltimore #rave #edm #housemusic

This Baltimore record shop turns into a rave for one night only. Friday 3/20.

#baltimore #rave #edm #housemusic

It didn’t start behind the decks. It started on the floor.

Before KÖTA WËRKS ever touched a mixer, Dakota Hoover was already locked into the rhythm through movement. Shuffle dancing. Years of it. Nine, to be exact. The kind of repetition that rewires how you hear music. You don’t just listen anymore, you feel where the kicks land, where the groove breathes, where the energy peaks. That connection runs deep.

So DJing came naturally. Almost inevitable, honestly.

His sound lives in house, tech house, and minimal tech house, built around that same physical understanding of rhythm. It’s not overthought. It’s felt. Influenced by artists like Mr. Belt and Wezol, KÖTA WËRKS leans into clean grooves and driving energy, the kind that pulls people in without needing to scream for attention.

At the core of it, he’s chasing a feeling. That rush you get when the music hits just right and your body takes over without asking permission. He spent years experiencing that from the dancefloor. Now he’s creating it.

By day, he’s a welder. Sparks flying, hands-on work, no shortcuts. Outside of that, he’s deep into videography and content creation, documenting moments and shaping visuals the same way he builds sets. Piece by piece. Intentional.

And if you’re tapped into the local scene, you’ve probably already crossed paths. He’s an admin for the DMV Shuffle Circle, helping build out a community that lives and breathes the same energy that got him here in the first place.

Catch KÖTA WËRKS at Ship Wrek and expect a set that’s built from the ground up. Rhythm first. Movement second. Everything else follows.

It didn’t start behind the decks. It started on the floor.

Before KÖTA WËRKS ever touched a mixer, Dakota Hoover was already locked into the rhythm through movement. Shuffle dancing. Years of it. Nine, to be exact. The kind of repetition that rewires how you hear music. You don’t just listen anymore, you feel where the kicks land, where the groove breathes, where the energy peaks. That connection runs deep.

So DJing came naturally. Almost inevitable, honestly.

His sound lives in house, tech house, and minimal tech house, built around that same physical understanding of rhythm. It’s not overthought. It’s felt. Influenced by artists like Mr. Belt and Wezol, KÖTA WËRKS leans into clean grooves and driving energy, the kind that pulls people in without needing to scream for attention.

At the core of it, he’s chasing a feeling. That rush you get when the music hits just right and your body takes over without asking permission. He spent years experiencing that from the dancefloor. Now he’s creating it.

By day, he’s a welder. Sparks flying, hands-on work, no shortcuts. Outside of that, he’s deep into videography and content creation, documenting moments and shaping visuals the same way he builds sets. Piece by piece. Intentional.

And if you’re tapped into the local scene, you’ve probably already crossed paths. He’s an admin for the DMV Shuffle Circle, helping build out a community that lives and breathes the same energy that got him here in the first place.

Catch KÖTA WËRKS at Ship Wrek and expect a set that’s built from the ground up. Rhythm first. Movement second. Everything else follows.

Baltimore has an absolutely feral 🐀 rave scene and more people need to know!

📸 @knabthatshot

#baltimore #rave #edm #housemusic #dubstep

Baltimore has an absolutely feral 🐀 rave scene and more people need to know!

📸 @knabthatshot

#baltimore #rave #edm #housemusic #dubstep

Baltimore, one ☝️ more night inside the shop.

Next Friday, March 20 we’re turning The Sound Garden into a record store rave one last time before the party moves outside for the season. Stacks of vinyl, a packed room, and the kind of night that only works in a place like this.

Beer, canned cocktails, seltzers/tea will be flowing while the DJs take over the floor.

Final tickets are on sale now. Don’t miss the last one in the shop.

#baltimore #rave #edm #housemusic

Baltimore, one ☝️ more night inside the shop.

Next Friday, March 20 we’re turning The Sound Garden into a record store rave one last time before the party moves outside for the season. Stacks of vinyl, a packed room, and the kind of night that only works in a place like this.

Beer, canned cocktails, seltzers/tea will be flowing while the DJs take over the floor.

Final tickets are on sale now. Don’t miss the last one in the shop.

#baltimore #rave #edm #housemusic

Baltimore you never disappoint. What a night.

San Pacho 🌶️ touched down and the whole room went feral in the best way possible. From the first kick to the final lights, that was pure Baltimore energy. Loud, sweaty, a little chaotic, and full of love for this music and this city.

Huge thank you to @pricemusic_ and @ratalina for setting the tone early and bringing the vibes exactly how they needed to be brought. And shoutout to @blossombeverages for fueling the night and keeping the dancefloor moving start to finish.

We’re lucky to have a community that shows up like this.

Next up we do it all over again with Ship Wrek on 4/10. See you soon Baltimore.

📸 @knabthatshot

Baltimore you never disappoint. What a night.

San Pacho 🌶️ touched down and the whole room went feral in the best way possible. From the first kick to the final lights, that was pure Baltimore energy. Loud, sweaty, a little chaotic, and full of love for this music and this city.

Huge thank you to @pricemusic_ and @ratalina for setting the tone early and bringing the vibes exactly how they needed to be brought. And shoutout to @blossombeverages for fueling the night and keeping the dancefloor moving start to finish.

We’re lucky to have a community that shows up like this.

Next up we do it all over again with Ship Wrek on 4/10. See you soon Baltimore.

📸 @knabthatshot

@syre.sounds and @iiscomusic unintentionally dancing perfectly in sync is an absolute VIBE! Yk that’s when the music is good 🙂‍↕️

Reminds us of a certain someone and his sister…
@solomun

#baltimore #housemusic #edm #rave

@syre.sounds and @iiscomusic unintentionally dancing perfectly in sync is an absolute VIBE! Yk that’s when the music is good 🙂‍↕️

Reminds us of a certain someone and his sister…
@solomun

#baltimore #housemusic #edm #rave

The record store rave returns to The Sound Garden one final time before we move this party outside 🪩

March 20th, featuring our special guest from Brazil 🇧🇷 @pedroztheboy

Our nights in the record store are truly a one-of-a-kind experience you can’t get anywhere else.

We listened to your feedback and are making more improvements for this event!
- Diverse alcohol selection ✅
- more bathrooms ✅

Final tickets available at the link in our bio! This will sell out!

The record store rave returns to The Sound Garden one final time before we move this party outside 🪩

March 20th, featuring our special guest from Brazil 🇧🇷 @pedroztheboy

Our nights in the record store are truly a one-of-a-kind experience you can’t get anywhere else.

We listened to your feedback and are making more improvements for this event!
- Diverse alcohol selection ✅
- more bathrooms ✅

Final tickets available at the link in our bio! This will sell out!

Artist Spotlight: Ratalina 🐁🪩

Some people stumble into music. Ratalina was raised in it.

Catalina Zepeda grew up in a house where music was always playing. Family concerts were normal. CDs were constantly being burned. At one point she was falling asleep with a Walkman blasting everything from hip hop and pop to R&B and Latin music. By the time she hit 18, that love had already taken over. Festivals, dance floors, long nights chasing sound. More than thirty festivals later, the pull toward DJing felt less like a decision and more like the obvious next step.

Now as Ratalina, she channels that lifetime of listening into sets that move through minimal, tech house, and techno, blending groove with momentum in a way that keeps a room engaged without overcomplicating it. Her influences stretch from Tiesto and Kaskade to Beltran and Joe Vanditti, with even a touch of disco spirit from Donna Summer shaping the way she approaches rhythm and energy.

Her sets carry the same philosophy she had back when she was the friend controlling the music at every gathering. Play the bangers. Keep the energy alive. Let the crowd feel something.

Not long ago, life threw a curveball. After being laid off from her IT career, Catalina doubled down on what had always been there in the background. Music and nightlife. Since then she and her partner have launched AftersMath, an after-party series built to keep the night going, and Queer Chaos, a queer-focused event series centered on community, expression, and freedom on the dance floor.

That mission sits at the center of everything she does now. Give people a space to move. A space to connect. A space where the night turns into the kind of story people keep talking about.

Catch Ratalina bringing that energy to San Pacho.

Artist Spotlight: Ratalina 🐁🪩

Some people stumble into music. Ratalina was raised in it.

Catalina Zepeda grew up in a house where music was always playing. Family concerts were normal. CDs were constantly being burned. At one point she was falling asleep with a Walkman blasting everything from hip hop and pop to R&B and Latin music. By the time she hit 18, that love had already taken over. Festivals, dance floors, long nights chasing sound. More than thirty festivals later, the pull toward DJing felt less like a decision and more like the obvious next step.

Now as Ratalina, she channels that lifetime of listening into sets that move through minimal, tech house, and techno, blending groove with momentum in a way that keeps a room engaged without overcomplicating it. Her influences stretch from Tiesto and Kaskade to Beltran and Joe Vanditti, with even a touch of disco spirit from Donna Summer shaping the way she approaches rhythm and energy.

Her sets carry the same philosophy she had back when she was the friend controlling the music at every gathering. Play the bangers. Keep the energy alive. Let the crowd feel something.

Not long ago, life threw a curveball. After being laid off from her IT career, Catalina doubled down on what had always been there in the background. Music and nightlife. Since then she and her partner have launched AftersMath, an after-party series built to keep the night going, and Queer Chaos, a queer-focused event series centered on community, expression, and freedom on the dance floor.

That mission sits at the center of everything she does now. Give people a space to move. A space to connect. A space where the night turns into the kind of story people keep talking about.

Catch Ratalina bringing that energy to San Pacho.

Incoming transmission. Signal strength rising. 📡 👾

Tomorrow night the coordinates lock in at The Rockwell. Lights off. Frequencies dialed. Anything Goes returns and things are about to get a little… unexplainable. 👽

One day out. Free RSVP in bio!

Incoming transmission. Signal strength rising. 📡 👾

Tomorrow night the coordinates lock in at The Rockwell. Lights off. Frequencies dialed. Anything Goes returns and things are about to get a little… unexplainable. 👽

One day out. Free RSVP in bio!

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